8/12/2023 0 Comments Plaster caster art![]() “It was adorable how shy she was as she sheepishly asked if I’d like to join her collection.” He described the casting experience as “the beginning of a great friendship,” adding, “It might sound strange, but it was like family.” ![]() pop-punk band the Muffs, recalled the moment in 1993 when he was pursued by Albritton at a Chicago show. On Facebook, Ronnie Barnett, bassist and co-founder of L.A. I have a soft spot for artists in general.” Her prerequisite for a mold subject was basic: “In my mind, they have to be superheroic and talented. And then people told me it was art, and it is art in the school of Andy Warhol, art repetition.”Īlbritton, a longtime resident of Chicago’s Lincoln Park neighborhood, resumed her casting in the 1980s. “As it progressed,” Albritton said, “I got this collector’s impulse to collect more and more. Featuring Des Barres, Peters, Frka and other groupies, it helped establish Albritton’s brand.īefore taking a hiatus in 1971, Albritton had successfully cast members of the Kinks, Foghat, Argent, the Beach Boys, Iron Butterfly and the Lovin’ Spoonful, among others. In 1969, Albritton’s voice was featured on “Miss Pamela’s First Conversation With the Plaster Casters of Chicago,” a track from “Permanent Damage,” the debut album by all-female experimental rock band the GTOs. waited for me to pull out one pube at a time.” When some of Hendrix’s pubic hairs “got stuck in the mold,” she continued, “he didn’t freak out at all. “He was a casting dream,” she told Salon in 2000. ![]() A week later she successfully cast Jimi Hendrix in a hotel after a concert in Chicago. “My teacher asked us to plaster cast something that could retain its shape, and I thought, ‘Why don’t I kill two birds with one stone?’ ”Īfter “preparing” the men, her friend Des Barres wrote in her bestselling memoir “I’m With the Band,” Albritton would “plunge the erect quivering member into a bucket full of slimy white goo called alginate, yank it out the moment it got soft (instantly, I would imagine), pour a mixture of plaster into the gaping hole, and leave it there until it got hard.”Īlbritton’s first run of casts occurred during three whirlwind years starting in early 1968, after she practiced on two college friends in preparation for her first attempt at a rock star. (In 2000, she said her religious mother, then 84, still had no idea of her daughter’s creative pursuits.) Albritton was studying art at the University of Illinois Chicago when she got an assignment, she told one interviewer. ![]() An only child, she seldom discussed her family life and kept her surname private until the mid-1990s. ![]() (Bernd Wüstneck / picture alliance via Getty Images)Ĭynthia Albritton was born on May 24, 1947, in Chicago. She was soon being profiled alongside other so-called groupies Pamela Des Barres, Judith Peters (“Miss Mercy”) and Christine Frka (“Miss Christine”) in Rolling Stone. “I wanted to fall in love with a British rock star.”Ĭarrying a black suitcase tagged with an oval “Plaster Casters of Chicago” label, the artist arrived backstage at concerts or at hotels with a ready-made pitch and the tools to make it happen. It was the dawn of the sexual revolution,” Albritton said in 2000 in an interview at the first show of her work. Starting in 1968, Albritton began compiling a vast collection of phalluses enabled by private sessions with rockers including Jimi Hendrix, the MC5’s Wayne Kramer, Jello Biafra of the Dead Kennedys and dozens more. Cynthia Albritton, who as Cynthia Plaster Caster successfully channeled a teenage desire to lose her virginity to a rock star into a lifelong project creating casts of their erect penises, died on Thursday in her native Chicago after an undisclosed illness, according to a press release. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |